Little Hag is working through her issues and has a brand new album to prove it. Now That’s What I Call Little Hag aptly showcases the wide ranging songwriting of Avery Mandeville. Using 8 different producers and studios she delivers punk rock bangers, deep disco dives, torch songs, folk ballads and much more.

She rages against capitalism when things go awry while working at a Jersey bar in “1000 Birds.” She skewers an ex in “Would It Kill You?” and “You Blew It!” but she can also turn the lens around and scrutinize herself (“God I'm So Annoying,” “HHSTTHN”). The songs “All 3” and “Oops!” ponder the private vs. the public persona, while “Suck Out The Pain” imagines a way to surgically remove heartache. Finally, she finds new love on the sappy sapphic track “King Cake.” Oh yeah, there’s also an ode to her vibrator (“The Machine”) that might just be a metaphor for the coming AI revolution.

Little Hag was formed in 2016 in the suburbs of central Jersey by Mandeville, guitarist Matt Fernicola and drummer Owen Flanagan; joined in recent years by bassist Mitchell Warren-Devlin and keyboardist/vocalist Cara Introcaso. Fern and Avery came up together in the local open mic scene, eventually hosting their own at the legendary Inkwell Coffeehouse in West Long Branch where they worked on what would become Avery’s debut self titled material. After signing to Hoboken’s Bar/None Records in 2020, they released Whatever Happened To Avery Jane, a compilation of older tunes with the new summer bummer pop single “Tetris” about the mortifying feeling of COVID induced lust. Then came the truly messy, NSFW heavy hitters on 2021’s Breakfast EP, an unholy trinity of "Piss,” “Blood" and "Cum.” Their following sophomore LP Leash was abrasive and daring, calling out a variety of shitty dudes - exes, alcoholics and old man stalkers - and the ugly ways we self sabotage. The power of these feminist anthems saw Little Hag take the late stage performing with Bright Eyes, Alex G, Interpol and Spoon in their hometown of Asbury Park, with Naked Giants in L.A. and at Feile Na Greine festival in Limerick, Ireland.

For the forthcoming Now That’s What I Call Little Hag, Mandeville got out of Jersey to clear her head after a breakup. She quit her job and went to Durham, NC to visit friends and write a song every day for the month of January before settling into her new home in South Philly, recording with engineer Mark Watter (Alex G, Liz Delise) at Headroom Studios and Erik Kase Romero (The Front Bottoms). Little Hag bites down hard on your brain and doesn’t let go, with infectious live energy, unabashed audacity and a penchant for the uncomfortable and taboo.

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